Ray Charles, Dizzy Gillespie, The Platters, dat werk. In de film horen we niet alleen de duistere, horror-achtige klanken die John Powell heeft bedacht, maar ook vrolijke upbeat jazz- en blues en close harmony-muziekjes uit de jaren '50 en '60. Het is een curieuze mix van The Stepford Wives, Black Mirror en Get Out, prachtig in beeld gebracht, maar jammer genoeg naar het einde toe een beetje rommelig.ĭe uitstekende, dreigende muziek bij Don't worry darling is gemaakt door John Powell. En ook de figuur van Jack (een rol van popster Harry Styles) lijkt niet te vertrouwen. Maar er klopt iets niet in Suburbia, zoals Alice al snel ontdekt (rol van Florence Pugh, zoals altijd uitstekend). Manlief gaat elke dag braaf naar zijn werk en vrouwlief is een gelukkige en gedienstige huisvrouw. Een ambitieuze film, waarin we terechtkomen in het modeldorpje Victory, waar nog geleefd wordt als in de commercials uit de jaren vijftig. But one thing stood as the most coveted model in the room �" the original Pinocchio marionette that Walt Disney actually used as a prop to get the proper movements for his beloved cartoon character.Muziek van John Powell uit de film Don't worry darling (Verenigde Staten 2022), een thriller van van Olivia Wilde. This is one of the most amazing rooms I've ever seen there are figurines from Aladdin, The Lion King, The Little Mermaid, The Hunchback of Notre Dame, The Nightmare Before Christmas, and even Disney/Pixar's newest film Cars. In one of the archive rooms, called the ‘Maquette Room' where all the original Disney figurines and models are kept. That's something you can watch on the DVD you can see the story sketches and concept art. One of the neat things Fox pointed out was there's a whole sequence of Tramp describing what it would be like if dogs were the ones in charge and people were the pets. Lots of concept art was drawn of Lady and Tramp. That is why you rarely see the tops of the trees in certain shots. What I found very interesting, as Lella pointed out, Lady and the Tramp is told in the view of the dogs. Both of them know just about everything about Disney animation and were excellent tour guides. Our main tour guide was Lella Smith, who is the Director of the ARL she was joined by Fox Carney who is the head Librarian of the ARL. It's the first animated film to ever be made in Cinescope as far as the ARL, they've got drawings and cells in the original standard size, as well as in Cinescope. The main reason why we were there, Lady and the Tramp, has some history at the Library, and has some real history in animation as well. And some of the concepts were so completely hokey, it could only be stored in the Library. Believe me when I tell you this, some of the concept art was so incredible, it couldn't help but become the final product. There's nothing they don't keep, from original concept art, to modifications, to model art, to sketch drawings, to final drawings, and then to cells. The Library recently moved to this ‘secret location' about five years ago prior to that, it was on the Disney lot. A lot of the material from the early days of Disney are lost or have been sold off by the animators themselves or private purchases. The ARL has been around since the beginning of Disney, but nothing was stored until much later. The email we received gave us so little instructions, even the guards at the security gate didn't know what was going on. What made this experience more intriguing is we were shuttled to the Animation Library from the Disney lot in Burbank to a secret location somewhere in Los Angeles. Actually, we were invited to continue in Disney's celebration of the release of the Platinum Edition of Lady and the Tramp's 50th Anniversary on DVD. I was among about only ten people who got this opportunity, and boy did I take advantage! Not only did I take nearly 150 pictures, but I got to see some of the first drawings of Snow White, Bambi, and Lady and the Tramp. For me, this was nearly a dream come true I'm such a Disney nut and to see some of the rare artifacts we were shown was incredible. Yesterday, I was privileged to be invited to the Disney Animation Research Library in Los Angeles. We take a tour through Disney's Animation Research Library in honor of the event! Share Share Tweet Share Share Share Email
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